By R. Kopfenberg
Таинственный и гениальныйнемецкий творец, чьи интересыне ограничивались только живописью или гравюрой. Альбрехт Дюрер был настоящим пророком германского Возрождения. Его кисть создавала портреты императоров и сочувствовала нищим крестьянам. Он создавал пушки и учил ландскнехтов, как правильно разрушать замки и крепости. И в то же время он вырезал на гравировальных досках изумительную серию офортов, проклинавших ужасы войны и всех гибельных для человечества напастей. Альбом с репродукциями великого Дюрера.
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Extra info for Albrecht Duerer
Bern, expressions of Freud be unknown and unstable. and magnificence of a middle class danc- the faces and the in 1900, In- With his theory of relativity, Einstein height- myopic, conservative outlook. cultural revolution destined to Tlie In- human actions have unconscious causes which do not answer to rationalist criteria. its FERDIYVM, appeared troduction to Psychoanalysis in 1916. Budapest and Sarajevo. But this gilded world progressive state of decline. linguistics. But the most tumultuous wave was Habsburg empire, between the end of the nineteenth century and the First ap- Wittgenstein was asking questions ife the fragility and contra- which marked Vienna, dictions r ' Karl Kraus and Mahler composed his fervent peal The Song of the Earth, while swan song of- under the impact of the war of 1914-18.
OSCAR KOKOSCHKA Pieta (1908, Poster for the open-air theater of the Vienna Kunstschau). The individual's sense of being lost, typical of the time, is expressed deformation in the of the forms. 2 W^V SISSI Elisabeth of Bavaria, the wife of Emperor Franz Joseph, was A \ to the popular i mind the symbol of the strength of z the empire. /^ORX/ ^ OSCAR " KOKOSCHKA j4^^BL,* ' and the decline of an era.
In 1898 Klimt painted two panels for the dining room of the Greek ly enamored first of industrialist panel is homage Dumba, a music lover who was particular- of Schubert. This fact furnished his theme. an allegory of music, while the second to the is The an act composer, which by association underlines Dumba's belonging to the top of the social |w pyramid. • In 1902 the 14 th Secession exhibition revolved around the sculpture group of Beethoven, the Klinger, for work of Max which the architect Hoffmann created a While Mahler inaugurated the exhi- y( bition with a new edition of Beethoven's Ninth Symspecial pavilion.
Albrecht Duerer by R. Kopfenberg