By Erwin Christensen
Lovely western pictures, with heritage
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Extra resources for A Pictorial History of Western Art
To acquire the skill of representing the figure freely took Greek sculpture two centuries. As we have all stages of the historical development before us. we can see the trend toward realism. To the extent that all art is experimental, the archaic artist experimented, but he was satisfied, with reservations perhaps, with his own achievements. He could not know that in due time the works of a Phidias or a Praxiteles would make his work look old-fashioned to his descendants. Standing male figure Many (III.
6 ft. Louvre. After Collignon (1866) ///. c. many WESTERN ART 37 Maiden, marble, c. C. Acropolis Museum. III. Copyright Spyros Meletzis parallel folds of the Hera of Samos has become real drapery. Fewer and broader folds define several surfaces, one recessed behind the other. The garment no longer cuts off on a horizontal line above the feet, but parts of the drapery are of different lengths. The modeling of the outstretched arm sets off the upper arm from the lower, and the hair falls down in front in long, neatly separated curls.
23 Head of Gudea, diorite, Neo-Sumerian period, 2125-2025 Louvre. Archives Photographiques betray a considerable refinement in the shaping of the nose, the modeling of the mouth, and the stylized delineation of the eyebrows. Large eyes tend to obscure other variations in There are too few examples from which to obtain a broader basis for appreciation. The sculptor was limited by culture, not by lack of ability. For a truer understanding of Mesopotamian art, the reliefs must also be studied. the treatment of the features.
A Pictorial History of Western Art by Erwin Christensen