By Claude McKay
Claude McKay (1889–1948) used to be the most prolific and complex African American writers of the early 20th century. A Jamaican-born writer of poetry, brief tales, novels, and nonfiction, McKay has frequently been linked to the “New Negro” or Harlem Renaissance, a circulation of African American artwork, tradition, and intellectualism among global struggle I and the nice melancholy. yet his dating to the circulate was once advanced. actually absent from Harlem in the course of that interval, he dedicated such a lot of his time to touring via Europe, Russia, and Africa through the Twenties and Thirties. His lively participation in Communist teams and the unconventional Left additionally inspired sure reviews on race and sophistication that strained his dating to the Harlem Renaissance and its black intelligentsia. In his 1937 autobiography, A good distance from Home, McKay explains what it ability to be a black “rebel sojourner” and provides one of many first unflattering, but informative, exposés of the Harlem Renaissance. Reprinted right here with a serious creation through Gene Andrew Jarrett, this e-book will problem readers to reconsider McKay’s articulation of id, paintings, race, and politics and situate those themes when it comes to his oeuvre and his literary contemporaries among the area wars.
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Extra resources for A Long Way from Home (Multi-Ethnic Literatures of the Americas)
A good distance from Wylie Avenue the colored folk had managed to maintain a café and cabaret on the edge of a section of the white district downtown. I decided to go there. I wish I were one of those persons who have a sense of premonition, so that I might have stuck to quarters that afternoon. But I had a desire to be away from my fellows and off by myself, even if it were in a crowd. My mind was full of the rendezvous with that editor in New York. And as I couldn’t talk to any of the fellows about it, it was better to ﬁnd elsewhere excitement that would keep me from thinking too much.
A great poem; a sad sick poet,” said Frank Harris. “I knew him. ” His mention of James Thomson and question from The City of Dreadful Night moved me sadly. I remembered it was one of the ﬁrst books of poems that Mr. Jekyll presented to me and 010 pt 1 (1-48) 12/5/06 2:35 PM Page 21 a great editor • 21 that for a long time I was haunted by the spirit of the strange music of the desert song and the pessimistic feeling of the whole poem, which acted like a damper on my naturally happy disposition.
Nor should it justify his perpetuation of such thinking in A Long Way from Home. ”28 The autobiography did not pretend to be an objective, comprehensive recounting of his life in the 1920s and early 1930s but, rather, a proudly opinionated chronicle of his cultural and political internationalism. The autobiography should help present-day and future generations of scholars, teachers, students, and everyday readers learn what it meant to traverse national borders, tie culture to politics, and link aesthetics and class in Claude McKay’s time.
A Long Way from Home (Multi-Ethnic Literatures of the Americas) by Claude McKay